我在创作《放鹤亭记》这幅作品的时候,重点从线条人手,力求抓住书法艺术美的本质特征。书法以线条作为艺术语言,通过线条的运动、组合与变化,展示其独特的个性和审美意蕴。孙过庭说:“篆尚婉而通,隶欲精而密,草贵流而畅,章务检而便。”线条在篆、隶、楷、行、草等诸多体势中加以层出不穷的变化,在简帛宣纸上轻歌曼舞,使这一根线“既流出人心之美,也流出万象之美”。 When I was creating this piece of work, I focused on the manpower of lines and tried my best to seize the essential characteristics of calligraphy art beauty. Calligraphy as a line of art language, through the lines of movement, composition and change, to demonstrate its unique personality and aesthetic meaning. Sun Chaoting said: “Seal is still wan and pass, for fine and delicate, grass and your flow and flow, chapter seized and then. ” Line in the seal, Li, Kai, line, grass and many other physical An endless stream of changes in the soft silk rice paper on the song and dance, so that this line “both out of the beauty of the heart, but also out of the beauty of Vientiane ”.