20世纪以来,中国传统绘画至少经历过三次断裂性的文化劫难。第一次是五四运动前后,在倡导科学与民主的时代风潮中,以西学代替中学而对传统绘画进行的批判。第二次是新中国建立之初,以建立人民大众的新民主主义文化而展开的对于传 Since the 20th century, traditional Chinese paintings have experienced at least three fractures of cultural catastrophe. The first is the criticism of traditional painting in the era of advocating the democracy of science and before and after the May 4th Movement with Western learning instead of secondary education. The second is the beginning of the founding of new China, in order to establish a new democratic culture of the general public