前几年,在创作《篱笆、女人和狗》、《辘轳、女人和井》,《古船、女人和网》等“农村三部曲”的过程中,我们心中就有一种热望:有朝一日,一定要把我们的笔触大面积地伸向丰富多彩的都市生活。为此,我们写了《女性世界》、《风雨恋爱角》、《越狱女囚》、《隐秘》、《特区大亨》等反映都市人生活情境的电影作品。对于我们来说,那实际是一种准备,一种积累,一种训练。我们自己更看重的,也更努力的,则是从《雾、海、帆》开始的这“都市三部曲”。在这三部作品中,我们将对都市人的生存状态与精神现实给以格外的关注,就像前几年我们格外关注当代农民的生存状态和精神现 A few years ago, in the course of creating “rural trilogy” such as “fences, women and dogs,” “potter’s wheels, women and wells,” “ancient ships, women and the net,” there was an expectation in our hearts that one day, We must extend our brushwork to a wide range of urban life. To this end, we have written films that reflect the life situations of urbanites, such as “Women’s World”, “Love in the Wind and Rain”, “Prisoner Prisoner”, “Cloaking” and “SAR Tycoon”. For us, that is actually a preparation, a kind of accumulation, a kind of training. Our own more emphasis, but also more efforts, it is from the “fog, sea, sail,” the “trilogy of the city.” In these three works, we will give extra attention to the living conditions and spiritual reality of urban people, just as in the past few years we paid special attention to the living conditions and the spirit of contemporary peasants