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写意是中国式的概念,在国画中相对于写实而言,专指注重情感表达而不拘泥于客观造型的画法。这种艺术上的表现方法在经历长久的历史发展后,早已变成一种文化的血脉,一种思维和表达的方式,影响着在这种文化中成长的每一个人。油画传入中国近百年,中国人画油画也有好几代人。油画重客观塑造讲究艺术中的科学的特点被中国油画家们所吸取,但同时中国人笔下的油画又有自身的特点,其中写意性就是其实出表现。在我看来中国的写意和西方的表现是近亲,不过前者在表现的手法及情感的表达上更具有中国式的特点。比如对线条的运
Freehand brushwork is a Chinese style concept. Compared with realism in traditional Chinese painting, the freehand brushwork specifically refers to the painting method that emphasizes emotional expression without obstructing the objective shape. After experiencing long historical development, this artistic method of expression has long become a cultural vein, a way of thinking and expressing, influencing everyone who has grown up in this culture. In the past hundred years, oil paintings have been drawn into China by Chinese for generations. Paying attention to the objective of oil painting emphasizes the scientific characteristics of art is absorbed by the Chinese oil painters, but at the same time, Chinese oil paintings have their own characteristics, of which the freehandness is the actual performance. In my opinion, the freehand brushwork of China and the western performance are close relatives, but the former is more Chinese-style in terms of expression of technique and emotion. Such as the transport of the line