改革难,反映改革的影片止难。回想一年多前,当较早反映改革题材的影片《血,总是热的》问世之际,为之鼓掌喝采者固然不少,责难,挑剔、不满者也非个别。决不足说这部影片已十全十美,相反,它有一些明显的弱点。但有一点是令人印象很深的:创作者以满腔热血创造了一位工厂改革者的形象——罗心刚。从某种意义上说,他是我国影片中反映改革的一声春雷。而今,随着改革的雄风从广大农村吹向城市,在银幕上也不断出现以表现改革者为题材的新影片。《最后的选择》、《锅碗瓢盆交响曲》、《他在特区》等等,即是几例。当然。还有描绘农村改革者的影片,象已为大家熟悉的《咱们的牛百岁》。这些影片数量不多,有些质量也还不高,但它也象生活中的改革一样,迈出了很不平常的第一步。它需要热忱的支持,也需要认 Difficult to reform, reflect the reform of the film stop hard. Looking back more than a year ago, when the film “The Blood Is Always Hot” that earlier reflected the reform theme came out, it is not uncommon for censors to applaud them. By no means does this film have been perfect, on the contrary, it has some obvious weaknesses. But one thing is very impressive: the creators passionately created the image of a factory reformer - Luo Xin Gang. In a sense, he is a spring thunder that reflects the reform in our films. Now, as the glory of reform blows from the vast rural areas to the cities, new films featuring the reformers are constantly appearing on the screen. “The Last Choice,” “Symphony of Pots and Pans,” “He’s in the SAR,” etc., are just a few examples. of course. There is also a film depicting rural reformers, as we all know of “a hundred years old.” These films are small and some are not yet high quality, but they have taken an unusual first step, just like the reforms in life. It requires dedicated support and recognition