《桃花源记》创造的桃源世界进入诗歌的语汇,至唐代成为重要的文学意象。诗人对桃源的解读呈现出多面性和歧义性的特点;在不断引用的过程中,桃源意象发生了质的变化:隐居避世的理想世界被置换为神仙世界;诗人在不知不觉中完成了一次创造性的误读。 The Taoyuan world created by “Peach Blossom Spring” entered the vocabulary of poetry and became an important literary image in the Tang Dynasty. The poet’s interpretation of Taoyuan has the characteristics of multifacetedness and ambiguity. In the continuous quotation process, Taoyuan’s image has undergone a qualitative change: the ideal world of seclusion has been replaced by the fairy world; and the poet unknowingly completed Creative misreading.