作为整个戏的穿线人物出现的周瑜贞,有些地方处理不当。编导显然想塑造一个敢想敢为的新一代青年形象,意图是应该肯定的。但就其在戏里的具体行动来看,前后不够贯穿,也不尽合理。例如,她在马车上的行动就很难理解:当大车陷进泥潭,罗群等奋力推车时,她蹲在一边拍照;当罗群背负重物艰难迈步时,她还是忙于拍照。这算什么?至多是个生活中好 Zhou Yuzhen, who appeared as the threading figure of the entire play, was handled improperly in some places. The director obviously wants to create a new generation of young people who dare to think and act boldly. The intention should be affirmed. However, in terms of its specific actions in the play, there are not enough runs around, nor are they reasonable. For example, her actions on the wagon were hard to understand: While the cart was in a quagmire and Luo Qun was struggling to stroll, she crouched and photographed. When Luo Qun took the difficult task of carrying heavy loads, she was still busy photographing. What is this? At best is a good life