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易卜生的《玩偶之家》一直以来是戏剧改编和阐释的重要文本,歌剧《伤逝》和《娜拉》在同一年先后上演,既有文化怀旧的意味,更具有当代意义的多元阐释。二者既是歌剧与历史文本的对话形式,又是歌剧文本自身的对话表现。所不同的是《伤逝》与《娜拉》在歌剧主题、音乐表达和歌剧的现代元素、时尚性等方面存在不同的理解,这就让二者的对话存在必要性。
Ibsen’s “Doll’s House” has long been an important text in the adaptation and interpretation of operas. The opera “Shangdu” and “Nora” were staged one after another in the same year. They not only have the meaning of cultural nostalgia, but also have multiple meanings of contemporary significance. Both are the forms of dialogue between opera and historical texts, as well as the dialogues of opera texts themselves. The difference is that Morrison ’s Sorrow and Nora have different understandings on the theme of opera, the expression of music, the modern elements of opera and the fashion, which makes the dialogue between the two have the necessity.