论文部分内容阅读
英爱作家马丁·麦克多纳在其作品中将俗套的意象、符号重新排列拼贴,对各种材料进行再循环,这是典型的后现代作家的处理方式。他对刻板印象的展演旨在创造一种寓言式的读解,特意强调其虚假的特性,将其呈现为一种风格化的模式。这种高度风格化、程序化的桥段说明作家是在刻意把玩爱尔兰戏剧的典型意象,把那些看起来已完全被用滥的通俗形式重新注入活力,蓄意戏谑地把陈词滥调和其他过分熟悉的母题搭配使用,创造出新奇的组合。此外,这些早已被类型化的符号与刻板印象为整个故事提供了背景,因此,麦克多纳描写爱尔兰的作品不应该看作是某一地方或单一民族的,而是依照全球化的模式在运作。
British writer McAndonard, in his works, revises the images and symbols of the stereotypes and symbols and recycles all kinds of materials, which is the typical approach of postmodern writers. His demonstration of stereotypes aims to create a parable of reading, specifically emphasizing its false identity, presenting it as a stylized pattern. This highly stylized and procedural plot shows that writers are deliberately playing the typical Irish drama, reinvigorating the seemingly overused forms of vulgarity, deliberately bantering clichés and other over-familiar mothers With the use of the title, to create a novel combination. In addition, these well-established symbols and stereotypes provide a context for the whole story, so McDonnell’s description of Ireland’s work should not be seen as a place or a single nation, but in accordance with the globalization model in operation .