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众所周知,南唐后主李煜在政治上是失败的,但在文艺领域却享有盛誉,尤善填词,被誉为“词中之帝”。而鲜为人知的是,李煜还精通书法,虽书名被词名所掩,但是李煜的书法也是不可忽视的,有着独特的书学思想,甚至对宋代书法也产生了一定的影响。现在我们能看到关于李煜的书法资料少之又少,但是在许多文献中我们可以看到李煜对颜真卿书法的评价,如宋朝魏泰在《东轩笔录》卷中就详细记载:
As we all know, the late Tang Li Yu is a political failure, but reputation in the field of literature and art, especially good lyrics, known as the “word of the Emperor.” The little-known is that Li Yu is also proficient in calligraphy, although the title is covered by the term, but Li Yu’s calligraphy can not be ignored, has a unique book of thought, and even had some impact on calligraphy in the Song Dynasty. Now we can see very few calligraphic materials about Li Yu, but in many literatures we can see Li Yu’s evaluation of Yan Zhenqing calligraphy. For example, Song Weitai wrote in detail in the volume of “Dong Xuan”