极少数的老师能把钢琴踏板技巧教得很好,因为常人看来,踏板在演奏中并非是最重要的,它仅仅是个“上”和“下”的简单问题。多年前,我也曾经很疑惑:为什么那些我并不热衷和感兴趣的乐曲,却被我的同伴弹得那么陶醉迷人?直到有一天,我听了美国著名钢琴家弗拉基米尔·霍洛维兹的精彩演奏才终于帮我解开了这个谜,我也因此才明白,正是因为我的同伴在演奏中巧妙地运用踏板,他的演奏才能如此精彩。我以前在演奏中常运用过多的踏板,但当我听了霍洛维兹的演奏后,我发现他的踏板用得很少并且很小心, Very few teachers can teach the piano pedal skills well, because ordinary people seem to play the pedal is not the most important, it is only a “on ” and “under ” simple question. Many years ago, I was also puzzled: why I was not enthusiastic and interested in the music, but my partner was so enchanting fascinated? Until one day, I heard the famous American pianist Vladimir Hollow Weizi’s wonderful performance finally solved the mystery for me, and I therefore understand that it is precisely because my companion in the play clever use of pedals, his performance can be so exciting. I used to use too many pedals before playing, but when I listened to Horowitz’s performance, I found out that he had very little and very careful pedals,