检讨中西方文化传统中创世说和创作论的异同,寻求不同文化框架中不同的创造模式。认为中国的创造模式孕育的文学家或艺术家不是西方模式所推崇的全知全能的创造者,亦非“述而不作”的、被动的传述者,而是一个有首创精神的革新者。在描述这一创作模式的基础上,将进一步讨论金圣叹的作文者说,通过对事与文,文心与文法,忠与恕等概念的描述,考究金圣叹对作文者本体意义的界定及其在构建叙事文本中的重要功能。 To review the similarities and differences between the theory of creation and creation in Chinese and Western cultures and seek different modes of creation in different cultural frameworks. The writer or artist who believes that the Chinese model of creation is not a creator of omniscience and omnipotence advocated by the Western model nor a passive narrator of the narrative but a creative innovator. On the basis of the description of this mode of creation, Jin Sheng-tan’s essayist will further discuss the definition of Jin Sheng-tan’s meaning to the writer through the description of the concepts such as things, essay, literary and grammar, loyalty and forgiveness, Build important functions in narrative texts.