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首先沉心读进去,把握作品之大意,借助题目和题干,参照注解和设题。第二注意抓语言,词语色彩照顾全,结合语境看语意,借助语感心洞然。第三情景要相合,情景交融是准则,一切景语皆情语,景后议论抒情多。第四注意抓脉络,写作对象别搞错,抒情主体认得准,人称变化要把握。第五要知干扰源,曲解倒置戴错冠,扩大缩小换概念,无中生有偏概全。第六技巧是重点,碰到术语绷紧弦,衬托铺陈和渲染,细描象征和铺垫。第七作者要记牢,作品风格要知晓,联系时代和背景,婉约豪放别混淆。第八注意抓意境,意境本由形象生,合理想象是途径,通过意境看心胸。第九注意辨类型,诗言志来词言情,散曲语言通俗化,戏剧语言有个性。第十当心限定语,褒贬语句要警惕,无限拔高和贬低,陷阱往往在这里。
First of all, Shen Shen read in and grasped the idea of the work, with the help of the title and the title, with reference to the annotation and setting questions. The second is to pay attention to the language, to take care of the words and colors, to see the meaning of the language in context, and to use the feelings of the language to help others. The third situation is to coincide, and the scenes are the norm. All the sights are loveliness. The fourth attention should be paid to the context, and the writing object should not be mistaken. The lyrical subjects should be quasi-professional, and the person’s change should be grasped. The fifth is to know the source of the interference, misinterpreting the wrong one, wearing the wrong one, and expanding and reducing the concept of change. The sixth technique is the key, hitting the term tight string, setting off and rendering, symbolizing and laying down the outline. The seventh author must keep in mind that the style of the work must be known, and contact the times and background. The eighth is to pay attention to the mood, the mood is born by the image, and the reasonable imagination is the way to see the mind through the artistic conception. The ninth type of attention is to distinguish the type, the poetry expresses the words and the romance, the divergent language is popularized, and the drama language has personality. The tenth is to use the qualifiers, the statements of defamation and delinquency must be vigilant, and the heights and devaluations are infinite. The traps are often here.