诗歌中“空白”的美学意义正如黑格尔所定义的,诗是对诸如绘画一类的空间艺术和诸如音乐一类的时间艺术的综合。本世纪以来,由于诗歌创作手法的丰富,视角变幻、象征手法、借物移情、五官通感、潜意识等等新领域的发现,使诗、这条跳跃的金龙,更是挟带着“形象”向空间艺术飞翔和冲决。是的,从世界范围内来看,诗已经从习见的平面画框中,发酵出来。它的美丽虚幻的汽球已经铺天盖地,进入空间和立体。可以说诗从“画美”脱离出来,进入到真正的立体“诗美”,是一条必然道路。画家只能画一幅画,诗人却可以同时画很多幅。 Aesthetic Meaning of “Gap” in Poetry As defined by Hegel, poetry is the synthesis of space art, such as painting, and time art, such as music. Since the beginning of this century, the poetry, the jumping golden dragon, has brought “the image” with the richness of poetry creation, the change of perspective, the symbolism, the empathy of the objects, the sense of the senses of the senses, Fly and burst into space art. Yes, from a global perspective, the poem has been fermented out of the familiar flat picture frame. Its beautiful and unreal balloons have become overwhelming, into space and three-dimensional. It can be said that the poem detaches from the “painting beauty” and enters the real three-dimensional “beauty of poetry” is an inevitable road. The artist can only draw a picture, but the poet can draw a lot of pictures at the same time.