“视觉实验”是我进入杂志社以来,所做的时间跨度最长的栏目了,其间赋予了我很多的精力和感情,也因为这个栏目有幸结识了一批优秀的年轻摄影师,甚至见证了某些摄影师的艺术成长。他们中间既有像做作、齐鸿这样坚持用传统胶片作为创作手段的摄影师,也有像陆军、于雷这样充分运用数码技术所作的影像实验,更有像马良、少苦这些成功进入影像拍卖市场的艺术家。在今年年末的时候,“视觉实验”栏目要告一段落,向读者说声“再会”了,在这最后一期,《数码摄影》请到著名旅美影像评论家、策展人王瑞老师,给这个栏目作一个总结。——邓登登 “Visual Experiment ” is the most time-consuming part of my time since I entered the magazine. In the meantime, I was given a lot of energy and emotion. Because of this column, I was fortunate enough to meet a group of excellent young photographers and even Witness the artistic growth of some photographers. Among them, there are photographers who insist on using traditional film as their means of creation, as well as imaging experiments made by the army and Yu Lei to make full use of digital technology, more like Ma Liang and less suffering, which have successfully entered the image auction market Artist. At the end of this year, “Visual Experiments” will come to an end and say “Reunion” to the readers. In this last issue, “Digital Photography” went to the famous American photo critic and curator Wang Rui teacher, to give a summary of this section. - Deng Deng Deng