近代学者王国维在他的《古雅之在美学上的位置》中把“古雅”提出来作为一个美学范畴,使之成为中国美学从传统走向现代的一个转折性概念。中国近现代美学思想主要来源于西方的各种思潮,而在经历了一个世纪的美学理论探讨和艺术实践后的今天,特别是经过开放后近20年的探索与研究,我们回到中国现代美学的起点,重新审视“古雅”的基本性质,对我们研究和探索中国传统美学和艺术的发展是有启发意义的。 Modern scholar Wang Guowei put “quaint” in his “quaint aesthetic position” as an esthetic category, making it a turning point in Chinese aesthetics from tradition to modernity. Modern Chinese aesthetics has its origins mainly in the various thoughts in the West. Nowadays, after a century of aesthetic theory and artistic practice, especially after nearly 20 years of exploration and research, we have returned to China’s modern aesthetics The re-examination of the basic nature of “quaint” is instructive for us to study and explore the development of traditional Chinese aesthetics and art.