曾在《甲午风云》中扮演“邓大人”的李默然老了,鬓白似雪,沧桑岁月的纹路爬上额头。可他那双眼睛依旧明亮有神,忧国忧民的赤子情怀仍然时时溢于言表。当记者在京丰宾馆政协小组会上见到他时,他正聚精会神地听着代表们的发言。会后我采访了他。作为一位著名的戏剧表演艺术家、政协委员和中国剧协的副主席,他对当前戏剧界的现状及未来谈了不少自己的见解,也提出了一些值得人深思的问题。他认为这几年戏剧界干了不少实事,使人们看到了希望。但问题依旧存在,其中他感受最深的是戏剧界一些人为的恩恩怨怨的纠缠太多。当然这里面有是非之争,也有原则分歧,观念形态的东西很难强求一致,矛盾总归会有。但作为戏剧工作者,应把主要精 Li Moran, who played the role of “Deng’s adult” in the “Noah Fury,” was old and white, like snow, and the vicissitudes of life climbed his forehead. But his eyes are still bright and God, worried about the feelings of the people of the country is still time and place in the rhetoric. When a reporter met him at the Beijing Fengfeng Hotel CPPCC team meeting, he was attentively listening to the delegates’ speeches. I interviewed him after the meeting. As a famous theater performance artist, CPPCC member and vice chairman of the Chinese Theater Association, he talked a lot about his own opinions about the current situation and future of the theater industry. He also raised some thought-provoking questions. He believes that in recent years the theater has done a great deal of practical work so that people see hope. However, the problem still exists. One of his deepest feelings is that there are too many entangled people in the drama world who love and complain. Of course, there is a dispute between them on the basis of right and wrong. There are also differences of principle. It is very difficult to maintain consensus on what is in the form of ideas. Contradictions will always be there. But as a theater worker, the main essence should be put