我听有学问的人说,琵琶是从秦代起就由胡人那里传入中原。胡也就是匈奴地区的统称。当时叫“批杷”,和胡琴的来源差不多。到了唐朝,由于唐明皇提倡歌舞,琵琶也盛行起来。白居易写的《琵琶行》长诗,专写这种乐器感动他心情。可以看出那时琵琶的弹奏技,已经达到相当高的水平。 闽南的南音,他们弹琵琶是横抱,不戴指甲片,多是拨单音。据说这是保留宋元的遗风。到了近代,琵琶的构造大变迁,颈加长,品加多,这就大大加宽 I heard learned people say that the pipa was introduced from Central China by barbarians from the Qin Dynasty. Hu is also a general term for the Huns. Was called “batch loquat”, and the origin of the violin almost. In the Tang Dynasty, the pipa became popular as the Tang Dynasty Emperor promoted singing and dancing. Bai Juyi wrote “Pipa” long poem, wrote this instrument touched his mood. It can be seen at that time playing pipa skills, has reached a very high level. Minnan NanYin, they play pipa is horizontal hold, do not wear nails, mostly dial tone. It is said that this is the legacy of the Song and Yuan Dynasties. In modern times, the structure of the pip has undergone tremendous changes. The neck grows longer and the goods increase. This greatly widens