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田本相的《<日出>论》由曹禺1933年写完《雷雨》之后的生活经历出发,对作家进行创作的原动力“对万恶的社会现实的强烈愤恨,对劳苦群众悲惨遭遇的深切同情”①的概括已然独具特色。他在对文本解读之先认识到作家视域的改变对其创作动机的影响,在文中不仅论述了《日出》是一部具有革命现实主义特色的社会悲剧,意识到曹禺在结构上的创新归根结底是其思想探索的艺术产儿,更是具有突破性意义地打开金钱社会的大门并展示出其中人的异化。
Tian’s “Theory of Sunrise” started from the experience of life after Cao Lei wrote “Thunderstorm” in 1933, and was the driving force behind the creation of writers. "It is a strong resentment against the vicious social reality and a profound tragedy to the hard-working masses The generalization of sympathy is already unique. In his interpretation of the text, he first realized the influence of the changes in the writer’s perspective on his motivation of creation. In this article, he not only discussed Sunrise as a social tragedy characterized by revolutionary realism, and realized that Cao Yu’s structural innovation In the final analysis, it is the art product of its exploration of ideas, which opens the door of the money society in a breakthrough manner and shows people’s alienation.