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潮剧与弋阳腔的关系,是潮剧史研究中争议最大的问题,也是无法回避的问题。其中最有代表性的观点是逍遥天:“考高腔出于弋阳,潮音班的前身正音戏,也出于弋阳。”~[1]持“出于弋阳”观点的还有王起、流沙、张伯杰,持反对或商榷意见有筱三阳、李平。《潮剧史》则持“潮剧既非来自关戏童,也不是来自弋阳腔或正字戏”。~[2]随着近年戏曲研究的不断深入和系统化,这谜一样的难题已经揭开神秘的面纱,惊叹逍遥天40多年前得出这一结论之不诬。在前人研究基础上,结合近年的戏
The relationship between opera and Yiyang chamber is the most controversial issue in the study of the history of the opera. It is also an unavoidable question. One of the most representative point of view is Happy Day: “test high school out of Yiyang, tide tone class predecessor orthophonic opera, but also for Yiyang. ” ~ [1] holding “out of Yiyang ” view There are Wang Qi, quicksand, Zhang Bojie, holding the views of opposition or to discuss Xiao Sanyang, Li Ping. “The history of the tide of drama” holds “The opera is neither from the closing opera, nor from the Yiyang cavity or the orthography”. With the continuous deepening and systematization of the study of drama in recent years, this mysterious puzzle has opened the mysterious veil and marveled at Happy Day more than 40 years ago to come to this conclusion. On the basis of previous studies, combined with recent plays