《仲夏夜之梦》是一部精心安排的舞台剧,情节巧妙连贯,跌宕起伏。不断变换的场景,不断转换的人物对白,不断跳跃的情节,读时仿佛置身狂欢派对中。《仲》打破了四平八稳的“巴特侬神殿式”的戏剧框架,弥漫着浪漫主义时期人文主义的芬芳。一.对传统戏剧创作的颠覆古典主义戏剧要求戏剧创作在时间、地点和情节之间保持一致性,即“三一律”原则。而莎翁在他的《仲》中,从出场人物,戏剧冲突,情节设计方面大胆颠覆了这种“巴特农神殿”似的戏剧框架,给读者举办了一场狂欢大 “A Midsummer Night’s Dream” is a well-planned stage drama, plot coherent, ups and downs. Constantly changing scenes, changing characters dialogue, jumping episodes, as if reading the carnival party. “Chung” broke the flat and stable “Patten Temple” drama frame, filled with the romanticism of humanism during the fragrance. The Subversion of Traditional Theater Creation Classic theater requires drama creation to be consistent across time, place, and plot, that is, the principle of “Trinity”. And Shakespeare in his “second”, from the appearance of characters, drama conflicts, plot design bold subversion of this “Parthenon ” like the drama framework for readers to hold a big carnival