提起鲁迅的小说,不能不提及这三位女性:《祝福》中的祥林嫂、《离婚》中的爱姑、《伤逝》中的子君。 我之所以称她们为“女性”,是因为她们和传统的“女人”是有所不同的。从文化层面来看,“女人”这一概念,由于千百年来的父权制道德标准的锤炼和渗透,已经具有了沁入人们意识、灵魂乃至日常机 To mention Lu Xun’s novels, one cannot but mention these three women: Xiang Linjun in “Blessing”, Auntie in “Divorce”, and Zi Jun in “Sadness”. I call them “women” because they are different from traditional “women.” From a cultural perspective, the concept of “woman” has already penetrated into people’s consciousness, soul, and even everyday life due to the practice and infiltration of patriarchal moral standards for thousands of years.