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陆小雅初次独立执导,便一举夺得金鸡奖最佳影片奖的桂冠,引起人们广泛的注意。趁她到上海参加《红衣少女》首映式之际,我们青年影评协会的几位同志走访了这位中年女导演。陆小雅同志对上海很有感情,她说:“红农少女”的文学剧本《穿红衬衫的少女》就是发表在八三年第三期《电影新作》上的。象黄蜀芹、吴贻弓等同志,我们之间都保持了很好的友谊”。我们请她着重谈谈这部影片中所体现出对电影新观念的追求。陆小雅思路敏捷、说话很快,并且很健谈:“所谓电影新观念,首先表现在社会观念的更新。社会观念的变化带动电影观念的变化。社会总是不断在变化,艺术家就是要去捕捉人在这种变化中的反应,去评价社会和人的变化。因此对创作者来说,重要的是思考,其次才是电影表现手段上的出新。在《红农少女》中,我尝试融汇几种电影理论。譬如巴赞的
For the first time independently directed by Lu Xiaoya, he won the Golden Rooster Award for Best Picture Award, arousing widespread attention. While she was in Shanghai to attend the premiere of “The Girl in Red”, several of our Young Film Critics Association visited the director of the middle-aged woman. Comrade Lu Xiao Ya has a strong feeling in Shanghai. She said: The literary script of “Red Peasant Girl” “The Girl in Red Shirt” was published in the third issue of “New Movie in August 1983”. Like Huang Shuqin, Wu Yi bow and other comrades, we have maintained a good friendship between. “We asked her to focus on the film reflects the pursuit of the new concept of the movie. Lu Xiaoya quick thinking, speak quickly, and Very talkative: ”The so-called new concept of film, first of all manifestations in the update of social concepts. Changes in Social Concepts Drive Changes in Film Concepts. Society is always changing, and artists are going to capture people’s reactions to such changes and evaluate social and human change. Therefore, for creators, it is important to think, and secondly, to create a new movie performance means. In “Red Peasant Girl”, I try to integrate several movie theories. For example, Bazan’s