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近年来,《人民文学》、《钟山》、《十月》、《中国作家》、《厦门文学》、《长城》等期刊纷纷亮出“非虚构”或“纪实”旗号加以倡导。这些文学期刊希望借助于“非虚构”写作,弥补当前文学与现实疏离的状态,探讨一种“新的文学可能性”。非虚构写作强调在场性与审美性,但理论与实践往往是背离的。综观所发表的“非虚构”作品,在很大程度上,都对非虚构存在着某种误读,就像有论者指出的,“非虚构”是个筐,什么都能往里装;
In recent years, “People’s Literature”, “Zhongshan”, “October”, “Chinese Writers”, “Xiamen Literature”, “Great Wall” and other journals have shown “non-fiction” or “documentary” Advocacy. These literary journals hope to make use of the “non-fictional” writing to make up for the current state of alienation of literature and reality and explore a “new literary possibility.” Non-fiction writing emphasizes on-site and aesthetic, but theory and practice often deviate. Looking at the published “non-fictional” works, to a large extent, there is some misunderstanding of non-fiction, as some commentators point out that “non-fictional” is a basket and everything can go In