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张艺谋执导的《红高粱》获38届柏林国际电影节金熊大奖,轰动影界内外。首都的观众中有人由衷地喊道:“谢谢你张艺谋,为国争光!”电影界一些权威人士也高兴地说:中国电影开始走向世界!多年来为之奋斗的这一目标,终于由《红高粱》实现了。《红高粱》获得的这一殊荣,宣告中国电影落后于当代世界电影的时代已经过去,说明我国的电影艺术家们是有雄心有志气,有潜力有能力的。这对于消除我们民族的艺术自卑感,进一步振兴和发展新时期电影艺术,意义是深远的。《红高粱》夺冠,事非偶然。新时期一开始,我国广大电影艺术家们在为迅速结束十年银幕荒芜、恢复电影生机而努力的同时,就把奋斗的目标高高地定在追赶当代世界先进电影发展的水平高度上,而不是仅局限在对“文革”前十七年电影水平的一般复原。因此,自1979年兴起电影创新浪潮以来,创新不息,探索不止,不断地有一
Zhang Yimou directed the “Red Sorghum” won the 38th Berlin International Film Festival Golden Bear Awards, both inside and outside the movie. Someone in the capital’s audience shouted sincerely: “Thank you Zhang Yimou for winning glory for the country!” Some authorities in the film industry are also happy to say: Chinese movies are beginning to go to the world! This goal, which has been fighting for many years, has finally changed from “ Sorghum ”achieved. The honor won by Red Sorghum proclaims that the time has passed for Chinese movies to lag behind contemporary world cinema, which shows that our film artists are ambitious and have the potential and capability. This has far-reaching significance in eliminating the artistic inferiority complex of our nation and in further rejuvenating and developing film art in the new era. “Red Sorghum” won, not accidental. At the very beginning of the new period, the vast majority of film artists in our country, while striving to bring an end to a decade of screen shortages and restore their vitality to the film, put the goal of struggle at high levels to catch up with the advanced film industry in the contemporary world instead of Only limited to the general recovery of the film level in the first seventeen years of the Cultural Revolution. Therefore, since the rise of the wave of film innovation in 1979, there has been constant innovation and exploration