论文部分内容阅读
在随着国民经济的高速发展正努力缩短与世界先进国家距离的开放的中国,“走向世界”,对各行各业来说都无疑是一个令人兴奋的指标。在艺术界,自认为智商和才华绝不逊于国外同行的中国艺术家们,更屡屡为自己的创作一次次走出国门而雀跃,并把几多洋人的赞誉作为他们乃至中国已“走向世界”的明证.其中近年来最光耀的莫过于中国电影了:当陈凯歌、张艺谋这班由“探索片”起步、视国际电影节为目标的导演们,以整整十年的艰苦努力,终于染指世界三大电影节的桂冠并三次打入臭斯卡奖的提名圈后,“走向世界”的荣誉似乎已顺理成章地让中国电影捷足
With the rapid development of the national economy, China is striving to shorten its distance from the advanced countries in the world. “Going the World” is undoubtedly an exciting indicator for all walks of life. In the art world, Chinese artists who consider themselves IQs and talents not to be inferior to their foreign counterparts are often excited to go abroad one after another for their own creations, and show the acclaim of many foreigners as a proof that they and even China have “gone global” Among them, the most glorious one in recent years is Chinese film: When Chen Kaige and Zhang Yimou started their work as “Discovery Films” and directed the International Film Festivals, with a full decade of hard work, they finally dabbled in the world’s three major films Section of the crown and three times into the nomination circle of the Scatka Award, “to the world” honor seems to have been a logical way to make Chinese film Czech Republic