影像作为这个时代的精神政治经济文化的集结地,既携带着传统的艺术感性特质,也具有商品和消费的痕迹,在审美与消费、大众与精英、艺术与经济的勾连关系中,抽象的交换关系与普遍的话语交往在每一个具体的情境中发挥作用,本文从历史经典的解构与多义叙事、审美精神的交流与共享、大众消费的世俗与宰制三个维度解读历史题材电视剧。 As a gathering place of the spiritual, political, and economical culture in this era, the image not only carries the traditional sensibility of art, but also traces of goods and consumption. In the connection between the aesthetic and the consumption, the general public and the elite, the art and the economy, Relationships and universal discourse interactions play a role in every concrete situation. This article interprets the historical drama series from the three dimensions of the deconstruction and polysemy of the historical classic, the exchange and sharing of the aesthetic spirit, the secularity and the domination of mass consumption.