我的父亲——丁永泉,一生只读过半年私塾,十三岁学唱黄梅调,始终和“卑贱”的底层人民保持着密切联系。在旧社会,他虽不懂把黄梅戏作为武器同反动势力作斗争的道理,然而他以朴实的阶级感情,把生活天地缩影于土墩、庙台。他老人家演出的《告粮官》、《乌金记》、《卖花记》、《金钗记》、《荞麦记》、《珍珠塔》等传统剧目以及一些生活小戏,都以鲜明的态度揭露了封建制度的黑暗,唱出了劳动人民的心声。 My father, Ding Yongquan, read only a half-year of private school in his life and learned Huangmei tune at the age of thirteen. He has always maintained close contact with the underbearing people. In the old society, although he did not understand the Huangmei opera as a weapon to fight the reactionary forces, he used simple class feelings to epitomize the world of life on mounds and temples. His traditional performances of “Elderly Presidents”, “Wu Jin Ji”, “Huagu Ji”, “Jin Chai Ji”, “Buckwheat Chrysanthemum” and “Pearl Tower”, as well as some minor live operas, are clearly revealed The feudal system of darkness, sing the working people’s voice.