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黎紫书在南洋、中国内地、台港地区出版小说集连连夺得几地重要文学奖项的实绩,表明了她作为最具创作活力的马华新生代作家的地位。其创作着力刻画背负本源性裂痕的女性形象,以根植于女性丰富的生命体验的知性视角完成以母性情怀为中心的女性叙事。在南洋话题、马共题材等小说中通过人性叙事和民间叙事的边缘型“逆向获得”了叙事自由,从而用文字烛照生命、提升艺术,也拓展出女性文学的的新境界。
Li Zi-shu’s achievements in publishing fiction collections in the Southeast Asia, Mainland China and Taiwan and Hong Kong successively and repeatedly won several important literary awards, demonstrating her position as the most viable new MCA writer. His writing endeavors to portray the female image bearing the original fissure and completes the female narration with motherhood as the center based on the intellectual perspective rooted in the abundant life experiences of women. In the novels of Nanyang and Maxico, through the marginalization of human narratives and folk narratives, they obtain the freedom of narration through “reverse acquisition”, thus illuminating the life with words and enhancing the arts, and also expanding the new realm of female literature.