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看了1982年第12期《电影评介》徐彤的文章《影评中一个值得注意的问题》,颇有同感。对此,我还想补充几句。一是对缺点也不能“无限上纲”。影片中的失真之处当然要指出来,不然就不能坚持文艺反映生活这条基本原理,不能坚持我国电影艺术的现实主义传统。但绝不能以偏概全,以点概面,对整部影片加以否定。譬如一个道具不尽适宜,就说影片“失真”,像有人以一包“飞马烟”的不妥而否定《佩剑将军》那样。我以为,看一部作品成功与否要看主流,看倾向,看艺术形象的塑造、典型环境的描写、情节的组织安排,而不能以枝节问题
Saw the twelfth in 1982, “Film Review” Xu Tong’s article “a noteworthy issue in the film and television reviews,” quite the same feeling. In this regard, I would like to add a few words. First, the shortcomings can not be “unlimited”. Of course, the distortion in the film should be pointed out. Otherwise, we can not insist on the basic principle that literature reflects the life, and we can not insist on the realistic tradition of Chinese film art. However, we must not give a general view of the entire movie in a negative way. For example, a props are not suitable, that the film “distorted”, as someone with a pack of “Pegasus” inappropriately rejected “General Saber” so. I think that if we look at the success of a work, we should look at the mainstream, look at the inclination, see the shaping of the artistic image, the description of the typical environment, the organization of the plot,