戏剧并不是最美好的,早有同行忠告,我也渐渐悟到了。然而,尤金·奥尼尔这面二十世纪西方剧坛最醒目的旗帜却又将我们聚合到一起——第七届全国尤金·奥尼尔学术研讨会暨奥尼尔戏剧演出周热热闹闹地折腾了好些天,这至少说明在圈子内戏剧还是有诱惑力的。 中山大学知识氛围浓烈,很适宜搞学术探讨。奥尼尔的研究专而又专,纯而又纯。奥尼尔作品的命题是全人类的,因而是永恒的,但他的伟大之处住于极易煽动我们这帮戏剧文学作者的“恋剧”情结,相互间不自觉地又议论起中国戏剧发 Drama is not the best, early advice from peers, I gradually realized. However, the most eye-catching banner of Eugene O’Neill in the twentieth-century Western theater brought us together - tossing up the seventh National Eugene O’Neill Symposium and the O’Neill Theater Week God, this at least shows that the drama in the circle is still tempting. Sun Yat-sen strong concentration of knowledge, it is appropriate to engage in academic discussion. O’Neill’s research is specialized and pure, pure and pure. The proposition of O’Neill’s work is all mankind and therefore eternal, but his great place resides in the complex of “love drama” that easily incites the gang of writers and writers in our theater and drama literature, unconsciously talking about Chinese drama