希腊诗人卡瓦菲斯有一句名诗:我在沉思冥想中坐着,我给艺术带来欲望和感觉,一瞥而过的事物。希腊大导演安哲罗普洛斯的电影如卡瓦菲斯的描述,是在沉静和消逝之间的吟唱。从《尤利西斯的凝视》到《永恒的一天》,我们从安氏的影片里隐约感觉到一种萧疏感,那是捕捉完人类与历史的悲剧之后的十分简约的停顿。比起早期的宏大叙事,安哲罗普罗斯似乎更愿意把触角回归到单个生命中,在影像的诗意回旋中树立孤寂的美感。值得复述的是,《尤利西斯的凝视》和《永恒的一天》都有值得称道的电影原声,出自一个希腊女人——艾莲妮·卡兰德若之手。艾莲妮·卡兰德若出生在希腊的一个山庄,后来去巴黎读人种音乐学。回到雅典后,在奥拉 Greek poet Cavafy has a famous poem: I sit in meditation, I brought the desire and feeling of art, a glimpse of things. The Greek film giant Angelopoulos's movie, as described by Cavafyos, is a chant between silence and fading. From “Ulysses's gaze” to “Eternal Day,” we vaguely feel a sense of Xiao Shu in Ann's film, a very simple pause after capturing the tragedies of mankind and history. Compared to the earlier grand narrative, Appolopoulos seems more willing to return the antennae to a single life, establishing a lonely aesthetics in the poetic maneuvers of images. It is worth recalling that both “Ulysses's Stare” and “Eternal Day” have commendable soundtrack from the hand of a Greek woman, Alian Callander. Alianne Callande was born in a mountain village in Greece before going to Paris for ethnomusicology. After returning to Athens, at Ola