王宏建主编的《美术概论》曾论述道:“当西方把自我与世界分离以后,哲学的探讨实际上被划定了界限和范围,这个界线的一边是自我的主观世界,另一边是客观的自然物质世界,艺术理论的整个思考被圈定在这个范围内,艺术便在这个范围内形成了自身发展的轨迹,艺术理论的范畴便在这个轨迹运动中产生。我们可以从这个 Wang Hongjian’s ”Introduction to Fine Arts“, which was edited by Wang Hongjian, once discussed: ”When the West separated itself from the world, the exploration of philosophy was actually demarcated by the boundaries and scopes of which one side is the subjective world of oneself and the other is the objective The whole thinking of the natural material world and the theory of art has been delineated within this range, and art has formed a trajectory of its own development within this range, and the category of art theory is produced in this locomotion. From this