本文试图细读沈从文的短篇小说《医生》,并以《三个男子和一个女人》作为对读与参照,讨论在对同一本事的不同改写中,沈从文如何以叙事作为修辞,以精心设计的叙事者、叙事速度,以及“说故事”情境的营造讲述出面貌截然不同的故事,而最终小说内外之间的张力使得作者将“恋尸”叙事又复拆解,“‘传奇’不奇”折射出文学场域对作家创作生态的影响。 This article tries to read Shen Congwen’s short story “Doctor” closely and takes “Three Men and One Woman” as reading and reference to discuss how Shen Congwen takes narrative as rhetoric and elaborate narrative in different rewriting of the same ability. The speed of narrative, and the creation of “storytelling” situations tell a totally different story, and the tension between the inside and outside of the final novel allows the author to disassemble the narration " ’Not surprising’ reflects the influence of the literary field on the author’s creative ecology.