论文部分内容阅读
本文旨在探讨德国浪漫派先驱瓦肯罗德的思想以及他对后世的影响。瓦肯罗德最大的心愿 ,就是让世人意识到艺术是何等的神秘与神圣 ,为此他不惜诉诸古老的灵感神赋论。就他所处的时代而言 ,把灵感归功于神是逆潮流而动的 ,把艺术等同灵感 ,则是典型的浪漫思维。此外 ,瓦肯罗德堪称艺术家小说的鼻祖。由于约瑟夫·贝格林格这一形象 ,艺术家问题受到前所未有的关注。滥觞于近代欧洲的艺术家问题 ,是“艺术自律”的理想与经世致用的社会主潮碰撞的结果 ,它常常表现为父子冲突或是艺术家的灵魂分裂。此外 ,在瓦肯罗德笔下 ,艺术家问题是同音乐紧密相连的。他在把音乐当作捍卫“艺术自律”的武器的同时 ,又做了深刻的反省 ,发现真正的“艺术自律”既不可能也不可取。
This article aims to explore the thought of German romantic pioneer Valkenodt and his influence on future generations. Valken Rhode’s greatest wish is to make the world aware of the art of the mysterious and sacred, he did not hesitate to resort to the ancient spiritual inspiration. As far as his time is concerned, attributing inspiration to God is against the tide and moving art to the point of inspiration is a classic romantic thought. In addition, Vaucluder is the originator of the artist’s novel. Due to the image of Joseph Begling, the issue of the artist has received unprecedented attention. The problem of artists who originated in modern Europe is the result of the collision between the ideal of “art self-discipline” and the social tide of social use. It often manifests as the conflict between father and son or the soul split of the artist. In addition, the artist’s question is closely linked to music under Vroom Rodroth. While using the music as a weapon to defend “art self-discipline”, he also made a profound reflection and found that real “art self-discipline” is neither possible nor desirable.