自从人类发明了火,光便成为人们唾手可得的东西。早期的舞台灯光源于祭祀的篝火,后来在戏曲发展的历史上,只要演夜戏,就必须有照明。那时的照明工具也仅限于松明、火把、油灯和灯笼之类,要达到的目的不过是把舞台弄亮,谈不到灯光艺术。然而,随着人们审美追求的不断进步,发展成为今天舞台上有着一定规律的灯光艺术,也被业内人士称为“舞台艺术的灵魂之光。” Since humanity invented fire, light has become something that people can at their fingertips. The early stage lighting from the sacrificial bonfire, and later in the history of the development of drama, as long as the night play, you must have lighting. At that time the lighting tools were limited to pine, torches, oil lamps and lanterns, the purpose is to get the stage lighten up, not to mention lighting art. However, with people’s continuous pursuit of aesthetic pursuit, they have become a light art with a certain regularity on the stage today, and are also known by industry insiders as “the soul of stage art.” "