《神经人》作者是否真的“转变了他的风格”?甚至是否像某些老式的批评家所说的,他“停止”写作科幻小说了,因此可以考虑给他某种褒扬?可能相反,他更接近那些他经常涉及的“电脑朋克”,而这一点在他有时的合作者布鲁斯·斯特林的作品那里表现的更突出。无论如何,科幻小说的表现机制经过由此运动肇端以来无数代的技术进步和几乎过滤性的突变,向我们传达的当代世界的真实信息比某种被耗尽的现实主义(或现代主义)要大的多。 Does the author of “The Nervous Person” really “change his style?” And even if, as some older critics have said, he “stopped” writing science fiction so he might consider giving him some kind of compliment? Instead, He is closer to the “computer punk” he often deals with, and that’s more prominently displayed by his sometimes collaborator Bruce Sterling. In any case, the performance of science fiction novels through the technical evolution of countless generations since the beginning of this movement and almost filtered mutations, the real message to us of the contemporary world than some of the depleted realism (or modernism) to Much bigger