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在宗教禁忌中怒放的伊朗电影,以朴素细腻的叙事风格和人物刻画闻名世界,它就像一支万花筒,展示着这个神秘国度的社会百态:全身裹着黑袍的女人,在贫民区追逐阳光的孩童,不同阶层家庭的冲突和追求。在伊朗旅行途中,我阴差阳错地拍了五个小时电影,还结识了一位热爱文学的船长,体会了一个普通中产阶级家庭最平常的生活。走进电影之外的伊朗,才发现一个国家艺术的生命力更多的是跟生活在这里的人有关。
The Iranian movie in its religious taboo, famous for its simple and delicate narrative style and characterization, is like a kaleidoscope showing the social aspects of this mysterious country: a woman in a black robe and a chase in the slums Sunshine children, different class families and the pursuit of conflict. While on my trip to Iran, I took a five-hour movie and went to a captain who loves literature, realizing the most ordinary life of an average middle-class family. Into the film outside of Iran, only to find a country’s art more vitality is related to people living here.