平安时期的《源氏物语》是日本文学“物哀”美学与佛学思想结合的最好典范。作者紫式部深受佛学影响,将佛学思想融入创作,形成了一种独特的“物哀”情调,并逐渐成为日本文学审美标志。探究“物哀之哀”与佛学观,分析两者的关系,有助于研究日本传统文化与审美意识,研究日本文学史的精神源泉。 The “Tale of Genji” in the period of peace is the best example of the combination of Japanese literature, “sorrow” and Buddhism. The author’s style is deeply influenced by Buddhism and incorporates the Buddhist thought into his creation, forming a unique “sorrow” mood and gradually becoming the aesthetic mark of Japanese literature. Inquiring into the relationship between the two “sorrows of sorrows” and the concept of Buddhism helps to study the traditional Japanese culture and aesthetic awareness and to study the spiritual source of Japanese literary history.