绍剧《斩经堂》在《戏剧报》上展开的讨论。各家意见很不一致。最近,在南京举行的扬剧观摩会演,公演了与《斩经堂》剧情相同的《吴汉杀妻》,也同样引起戏剧界的很大兴趣和争论。香花毒草,各持所见,议论纷纭。一个剧目引得起如此广泛的注意和争论,似乎就已经表明了这个戏确实有点复杂,而争论中的一些问题,那实在也是值得人们去费一番思考的。不揣譾陋,也来插上一嘴。从艺术对历史的矛盾谈到所谓莽汉的是非——第—个前提《吴汉杀妻》所描写的是封建时代国家政局发生激变的某一时期里的悲剧。它借用了历史上王莽篡夺西汉政权和刘秀重建东汉王朝的政权更替事件。来构成它的表现正义力量对非正义罪恶势力冲击斗争的一对特殊矛盾。但它所采取所强调的也只是这一点,无非是借以表彰反对国贼暴君而不惜牺 Shaoxing “Sutra” in the “Drama” on the discussion. Various opinions are very different. Recently, the performance of the Yangju Opera in Nanjing and the performance of the same “Wu Han killing wife” as the “Sutra Scripture” plot aroused great interest and controversy in the theater industry. Fragrant toxins, each hold what you see, controversial. It seems that a drama has drawn so much attention and controversy. It seems that it has shown that the play is indeed a little bit complicated. Some of the issues in the debate are worth the people’s thinking. Not hides humble, but also to plug a mouth. From the Contradiction of Art to History to the So-called Reckless Man and Han - The first premise of “Wu Han killing a wife” describes the tragedies in a certain period when the political situation in the feudal period changed suddenly. It borrowed history of Wang Mang to usurp the Western Han Dynasty regime and Liu Xiu reconstruction of the Eastern Han Dynasty regime change incidents. To constitute a special contradiction between its performance of the forces of justice and the struggles of the forces of unjust evil. However, what it has emphasized is only this point, in the name of commendation against the tyrant tyrant without sacrificing