出版社:八旗文化(台北)现代城市的象征,不仅是一幢幢矗立的摩天大厦,还有周而复始徘徊在繁华和凄凉间的城市生活:“城市好像一头巨大怪兽,诱惑我们沉溺其中,迷失其中。然而,寂寞、孤独、忧郁的我们都无可奈何地爱上了它。”胡晴舫如此形容。初次瞥见《城市的忧郁》的书名,很难让人想不起几本有关城市的论著——波德莱尔的《巴黎的忧郁》、卡尔维诺的《看不见的城市》等。上述论著,均始于睿智敏锐的城市观察,犹如本雅明所提出的“晃游者”(flaneur)概念,游走于街心和巷弄,用悲天悯人的心肠,观察城市里的每一道光影。 Press: The symbol of the modern city of Ba Qi Culture (Taipei). Not only are the skyscrapers erected in the sky, but also the city life that wanders wandering prosperously and desolately: “The city is like a huge monster that tempts us to indulge in it and loses it However, lonely, lonely, melancholy, we have no choice but to fall in love with it. ”Hu Qingfang so described. The first glance at the title of “Melancholy of the City” makes it hard to recall a few treatises on cities - Baudelaire’s “Melancholy of Paris” and “Invisible City” of Calvino. The above treatises begin with the wise and sharp observation of the city. Just as Benjamin proposed the concept of “flaneur,” walking in the streets and alleys, watching every light and shadow in the city with a compassionate heart .