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元初八十年不开科举,打碎了所有读书人的幻想与期待;元主不重汉臣,也让自卑感浓重的官吏们如履薄冰,忧心忡忡。元代文人中的隐逸之风于是潜滋暗长,汇成一股股洪流,这与当时的道教隐逸之风几乎是异曲同工。处于乱世中的人们,价值观念,审美趣尚,都发生了变化。隐于朝是一种逃避,隐于市、隐于书画、隐于道也同样是一种心态的调整。其实,他们心中亦并非古井般一波不起,只是势之所趋,流之所向让你选择了隐。张雨之选择黄冠,大概亦源于此。
The first eighty years of the Yuan dynasty did not open the imperial civil examinations, smashed the imagination and expectation of all the scholar; the principal did not emphasize the han chen, but also let the officials with inferior inferiority trembled with thin ice and were worried. The style of seclusion in the Yuan Dynasty scholar lurked the darkness and merged into a stock torrent, which is almost the same with the secular style of Taoist seclusion. In the chaos of the people, values, aesthetic taste, have changed. Hidden in the North is a kind of escape, hidden in the city, hidden in the calligraphy and painting, hidden in the road is also a mentality adjustment. In fact, they are not Gui-like waves in their hearts and can only afford to do so. The direction of the flow allows you to choose a hidden place. Zhang Yu’s choice of crown, probably derived from this.