本文通过对万玛才旦两部代表影片——《静静的嘛呢石》、《老狗》的分析来展现万玛才旦本藏视角下的民族思考与其如何在这种思考下进行民族表达,并揭示出其民族思考呈现下的特点:近乎于纪录片式的叙事风格,非专业演员的表演,真实还原藏民生活的节奏。 This article analyzes the national thinking under the perspective of Banma Tadanamoto and the question of how to carry out the nationality under this kind of thinking through the analysis of two representative films of Wanma Tacitan - “Quiet Stone” and “Old Dogs” Expressing and revealing the characteristics of his national thinking: the almost narrative style of documentary films, the performances of non-professional actors, and the true reduction of the rhythm of Tibetan life.