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本文对三个不同版本的《艺术概论》的框架结构做了比较详细的比较。对于三本书的理论构架,各个作者都体现出了一种总体的体系意识。探索了艺术丰富的内涵,理清一下它们相互间内在、外在的联系,多侧面、多层次的立体观照方式对艺术理论体系作出深入探索。从微观渐进宏观,从对概念、范畴的诠释逐渐拓展,深入到对理论体系的探究,由范畴研究向体系研究拓展。就章节的搭建与逻辑关系,以宏观和微观两方面做出把握。
This article compares the frameworks of three different editions of “The Art of Introduction” in more detail. For the theoretical framework of the three books, each author reflects an overall system awareness. Explore the rich connotation of art, sort out their internal and external relations with each other, multi-sided, multi-level three-dimensional view of the art theory system to make in-depth exploration. Gradually from the micro-macro, from the concept of interpretation of the category gradually expanded, in-depth study of the theoretical system, from the category of research to system development. The chapters of the establishment and logical relations, macroscopically and microscopic grasp of both.