以《红楼梦》为代表的古典小说铸就了中国古典文学的最高成就,是中国美学思想的重要载体之一,更是窥见中华民族审美意识的重要媒介。回归《红楼梦》美学研究的文本起点,归纳其小说文本的群体意象创构类型特征,阐明其多元叙事模式技法特质,厘清主导其价值转向的民族主体思维方式的本质内核,揭橥其后潜藏的主流审美意识嬗变,是在解构审美意识物化形态的基础上建构中华民族主体价值体系的有益尝试。 The classical novels represented by “Dream of Red Mansions” cast one of the most important achievements in Chinese classical literature and are one of the important carriers of Chinese aesthetic thoughts. They are also an important medium for glimpsing the aesthetic awareness of the Chinese nation. Return to the starting point of textual research on aesthetics of “Dream of Red Mansions”, summarize the characteristics of the types of group image creation in his novels, elucidate the traits of his multiple narrative modes, clarify the essence of nationalistic mode of thinking that dominates the shift of values, The transmutation of the mainstream aesthetic consciousness is a useful attempt to construct the value system of the Chinese nation based on the deconstruction of the physicochemical form of aesthetic consciousness.