不少青年诗人在诗歌写作中喜欢罗列和堆砌过多的诗歌材料,诗歌材料(词素、物象、情感、节奏、场景、心理因素等)是构成一首诗歌的前提,既是内容的又为形式的。在诗歌写作中,我们须警惕生硬的意象、虚假的情感和预设过多的场景的频繁出现,如果说诗歌要努力在诗歌材料的提示和约束下进行呈现,这样的诗歌呈现往往是刻意而呆滞的。本期几位青年诗人的诗歌呈现差异性很大,同样写故土和亲人,李阿龙写到“纸质记忆,让人敏感,以致幻想,迷乱/词语无法抵达内心的高度”;西克写到“族谱上的名单越 Many young poets like to list and pile up too many poetry materials in poetry writing. The poetry materials (morpheme, object image, emotion, rhythm, scene, psychological factors, etc.) are the preconditions of forming a poem, which is both content and form . In poetry writing, we must be vigilant against blunt images, fake emotions and frequent occurrences of excessive scenes. If poetry should strive to present itself under the hints and constraints of the poetry material, such poems tend to be deliberate Sluggish The poems of several young poets in this issue show great differences. Similarly, they wrote their homeland and their relatives. Li Aaron wrote that ”the paper memory is so sensitive that the illusion and confusion / words can not reach the inner height.“ Wrote ”the more genealogical list