其实,早年被奉为象征派大师的诗人李金发,对台湾诗坛而言一直是非常陌生的,甚至有着很深的误解。在50年代初期,台湾诗坛初具规模的时候,只有少数的诗人读过李金发的《弃妇》。当时的诗坛还留有40年代抗战诗歌的余绪,尚是豆腐干体的爱情诗当红的时候,李金发的这种象征手法写出直抒胸臆的诗是不太被人了解的,甚至由于诗语言有西化的趋势,读来估屈聱牙,因此当年就有这样的一个误传,认为李金发到法国去读书,法语是到达当地才 In fact, Li Jinfa, a poet who was regarded as a symbolist master in his early years, has always been very strange to Taiwan’s poetry circles and has even had a profound misunderstanding. In the early 1950s, when Taiwan’s poetry began to take shape, only a few poets read Li Jinfa’s “Abandoned Woman.” At the time of the poetic world, there was still a remaining thread for the anti-Japanese war poems of the 1940s. When the love poems of the dried-out tofu were still popular, Li Jinfa’s poetic writing of straightforward poem was not well understood. Even poetry Language has the tendency of Westernization, reading to judge, so there was such a misconvention that Li Jinfa went to France to study, French is to reach the local talent