居住于柏林和哥本哈根的丹麦批评家西蒙·谢赫(Simon Sheikh)在他写于2007年的文章《展览作为媒介》的开篇介绍了展览文化在19世纪欧洲的起源,它与当时培养新兴的布尔乔亚理性主体的策略和启蒙理想相关联应酝而生。他所强调的是展览不仅是一种知识、权力和观看的展现和分支,同时也是制造公众的手段这无异于把展览书写的主动权和责任完全放到了展览的组织者——策展人的手中,也与强调策展人作为作者的讨论是一致的,即是策展人的主观性对于一个展览的塑造起根本性的作用策展人组 Simon Sheikh, a Danish-based critic living in Berlin and Copenhagen, introduced the origins of the exhibition culture in Europe in the 19th century at the opening of his 2007 article “The Exhibition as a Medium,” which coincides with the opening up of the burgeoning Bourgeois The rational subject’s strategy and the enlightenment ideal should be reconciled. What he emphasizes is that the exhibition is not only a manifestation and branch of knowledge, power and viewing, but also a means of making the public. It is tantamount to putting the initiative and responsibility of exhibition writing on the exhibition organizer - the curator In the meantime, it is also consistent with the discussion that emphasizes the curator as the author, that is, the curator’s subjectivity plays a fundamental role in shaping an exhibition.