论文部分内容阅读
中国现当代美学由传统美学转型,逐步形成了五四新文化运动美学、中国化马克思主义美学、中国特色当代美学等发展阶段和发展过程。这个发展过程基本上与五四新文化运动的一百年相同步。回顾这一百年的中国美学发展,成绩是辉煌的,但是,问题也是十分明显的。我们进行着中国美学百年反思,就是要把这些问题清理出来,明确它们的现象表征,找出它们的根源,提出解决问题的有效办法,以利于中国当代美学的进一步发展。中国现当代美学与中国传统美学关系的主要问题有:1.中国当代美学的中国特色问题。2.中国传统美学思想的现代转型。3.中国当代美学的价值论缺失。
China’s contemporary aesthetics transformed from the traditional aesthetics and gradually formed the development stage and development process of the May Fourth New Culture Movement aesthetics, the Chinese Marxist aesthetics, the Chinese characteristics contemporary aesthetics and so on. This process of development basically coincides with one hundred years of the May Fourth New Culture Movement. Looking back on this century’s development of Chinese aesthetics, the achievements are brilliant. However, the problem is also quite obvious. In carrying out the centenary reflection on Chinese aesthetics, we must clean up these problems, clarify their phenomenal characteristics, find out their causes, and propose effective solutions to problems so as to facilitate the further development of contemporary Chinese aesthetics. The main problems in the relationship between Chinese contemporary aesthetics and Chinese traditional aesthetics are as follows: 1. The Chinese characteristics of contemporary Chinese aesthetics. 2. The modern transformation of Chinese traditional aesthetics. The value of Chinese contemporary aesthetics is missing.