商业发达的威尼斯共和国沉浸在狂欢节的热烈氛围之中。然而面包师的儿子彼得罗,却因无意中发现骄奢淫逸的戈罗伯爵被人刺杀,竟被判为杀害贵族的凶手,押上断头台斩首示众。耸立在圣马可广场钟楼上的大钟紧敲不止……。影片《威尼斯面包师的儿子》从它的序幕开始,就以真实感人的艺术形象,深沉浓郁的悲剧格调,富有哲理地揭示出了人类政治历史上的一个严肃问题:历史的丧钟,最终为谁轰鸣? 影片的主人公,威尼斯贵族巴博伯爵,从一开始就十分清楚,平民彼得罗是无辜的替罪羊。因为那个荒淫无耻,勾引他妻子的戈罗伯爵,正是他本人亲手杀死的。他原想在审理中为彼得罗辩护,争取无罪释 The well-developed commercial Republic of Venice is immersed in the carnival atmosphere. However, Petro Poro, the baker’s son, was convicted of killing the aristocrat because of inadvertently finding the extravagant count of Goros, who was beheaded to the guillotine. The clock, which stands on the clock tower of St. Mark’s Square, is tightening more than ... The film “Son of the Venetian Baker” has philosophically revealed a serious issue in the political history of mankind, from the beginning of its prologue, to a truly touching artistic image and a deep rich tragedy: the death knell of history and ultimately Roar? The protagonist of the film, Earl of Goba, Venetian aristocrat, from the outset is very clear that civilian Petro Poroshenko is innocent scapegoat. Because of that shameless, seducing his wife, the Earl of Goro, it is he personally killed. He originally intended to defend Petróo in trial and try to acquit himself